Logic 301: Advanced Techniques in Logic Pro 9

Duration: 3 Days

Objectives

This three-day course takes you through Logic's powerful advanced features, covering everything from production, editing, and mixing, to notation and scoring to picture. Throughout the class professional secrets are revealed regarding how to streamline production workflow, accelerate editing tasks, effectively manage takes, and construct a mix that will meet the most exacting standards. You'll discover powerful techniques for multi-track recording and explore the limitless potential of Logic's audio instruments, including the revolutionary Sculpture.

Pre-requisites

A basic knowledge of Mac OS X and a Level One Logic Pro End User certification is required. Ideally, students will have attended a Logic 101 course.

Course includes

A comprehensive set of reference notes covering course topics, follow-up telephone support and, for training on Transmedia premises, lunch and refreshments.

Dates

Dates Location Price Book course
22 - 24 Feb London £655 Book course
24 - 26 Feb Bristol £745 Book course
29 - 31 Mar London £655 Book course
28 - 30 Apr London £655 Book course
See all course dates
All prices are per person and exclude VAT

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"Excellent. The right pace, the right style- great overall!"

Goldsmiths University of London


Course outline

Speeding up Workflow
Using Project Templates, Creating your own Template, Customising the Interface, Using Key Commands, Accessing the Tool menu, Saving a Project Template, Opening and creating projects automatically, and Backing Up and transporting your project

Managing Projects and Takes
Using Project Folders, Working with Assets, Quickly accessing additional tracks, Recording multiple tracks simultaneously, and Deleting unused tracks

Matching Tempo and Pitch
Working with Apple Loops, Using the Time and Pitch Machine, Performing Time Stretching and Compression in the Arrange Area, and Working with Rubato Passages

Working with Software Instruments
Getting familiar with the instruments, Understanding the user interface, Using Ultrabeat, Using the EXS24 mkII software sampler, Using the EVP88 Vintage Electric Piano, Using the EVD6 Vintage Clavinet, Using the EFM 1 FM Synthesizer, Using the ES1 Virtual Analog Synthesizer, Using the ES2 Synthesizer, Using global tracks to create a quick arrangement, Sound Design with Sculpture, and Treating your MIDI hardware as software

Advanced Audio Editing
Using Edits to create parts, Comping Tracks, and Fixing problems using the Sample Editor

Advanced MIDI Editing
Using Loops, Copies, and Aliases, Demixing MIDI Regions, Working with region parameters, Working with MIDI Note Events, and Using Transform Functions

 

Working with Mixer Channels
Using the Mixer, Using Insert Effects, Using Send Effects, Panning Stereo Tracks, Switching the Contents of the Plug-in Window, Changing Plug-inLocations and Using Channel Strip Settings

Controlling Signal Flow
Using Aux Channels as Submixes, Applying Send Effects to Submixes, Using Mixer Groups and Incorporating external effects Processors

Automating the Mix
Automating the Mix, Working with Offline Automation and Performing Real-Time Automation

MIDI Processing in the Environment
Basic Settings, Importing a Movie File, Detecting Scene Cuts, Manipulating the Grid, and Exporting your movie soundtrack

Troubleshooting Logic
Getting Sound Out and In, Getting MIDI Out and In, Recovering deleted Audio or MIDI regions, Reading the system performance meter, Basic computer maintenance steps and adding third party plug-ins

 

 

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